Of the Nearly 8000 Species of Frogs, Only One Says “Ribbit”

The three boxes sit in a quiet balance. A slumped glass sweep runs through the middle, echoed in steel, so the motion reads as a single, elegant arc through the stack. Most panes are large, which keeps the image calm; a single acute angle in steel, paralleled in one pane of glass, gives a measured counterpoint.

There is one silkscreened panel, built from several enamel-printed pieces that were fired, cut, and assembled. A veiled face tucked inside the structure that you rarely meet head on; brief alignments through textured glass allow her to catch your eye. This was early work for me, a place to test slumping, fusing, and silkscreening on glass to see how movement and image could live inside a fixed frame.